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    Bilack is coming

    We are very proud to announce the release of our new single, Bilack, available May 15. Mostly recorded at our very own home grown Onion Studios, bilack features Dave Adams on the Hammond organ, and horns by the lovely Lauren Bell, Kelly O'Donohue, Jarrod Brereton and Lauren Mullarvey.

    These fine folk are from LAMA, a vivacious and colourful 8 piece band who we are delighted to be performing with for our Double Single Launch on Friday May 22 at 24 Moons, Arthurton Rd, Northcote. Performing alongside LAMA and HaA will be Dear Plastic, part avant-pop, part trip-hop and The Cactus Channel, raw funk party jam purveyors.


    The video below was entirely filmed at the bands home studio by Danielle Sexton, editing by Alan Erpi, enjoy...





    Eukaria is here.

    We are super excited to announce the release of our debut EP, Eukaria. According to The Society of Sound, "Her Name is a cracker" and it "still adheres to some solid instrumental synchronicity" which we totally agree with. Sticky Trigger were very generous. "It’s bombastic, it’s funky, it’s powerful and it’s soothing. " It's My Kind Of Scene reckon "Humans As Animals aren’t actually that bad. They may be re-living an era long gone, but it was a good era, so why complain about that?"

    Why complain indeed. We will be celebrating with our EP launch at the Evelyn Hotel, you can get tickets from here

    We'd love you to click below and form your own opinion of Eukaria



    Eukaria is almost here

    Tomorrow is the date our debut EP, Eukaria, will be vomited into the ether, forever stored on a long lost hard drive by the CIA and preserved for examination by techno-paleontologists in the distant future. It's been a long road to getting these songs out there, so many people were willing to gamble hours of their lives away in the hope that this wasn't a pointless endeavour.

    Today we we are excited to share the links to all the reviews so far,

    It's My Kind of Scene single review

    Society of Sound single review

    Sticky Trigger EP review